A week before the election, Trump will hold his most unsettling spectacle yet
A Night at the Garden is a 2017 documentary film about the 1939 Nazi rally that filled Madison Square Garden in New York City. The seven-minute film is composed entirely of archival footage and features a speech from Fritz Julius Kuhn, the leader of the German American Bund, in which anti-Semitic and pro white-Christian sentiments are espoused. The film was directed by Marshall Curry. It was nominated for and Academy Award.
For the apotheosis of his entire “poisoning of the blood” campaign, Donald Trump has planned a spectacular extravaganza in Madison Square Garden on 27 October, a week before the election. When JD Vance sings Trump’s fulsome praises to introduce him, his ominous tribute will not inspire comparison to the night in the Garden of 19 May 1962, when Marilyn Monroe sang “Happy Birthday, Mr President” to John F Kennedy.
Trump’s climactic rally will not be in the spirit of any past presidential event ever held there. His gathering for the great racist replacement theory will be the culmination of his spiraling descent since the Charlottesville rally in 2017 when neo-Nazis chanted, “Jews will not replace us.” “Fine people on both sides,” Trump said then. Now, at his night at the Garden, Trump will revive the memory of the infamous American Nazi mass rally held there on 20 February 1939 through his reflected Hitlerian rhetoric.
In the last week, Trump has pledged to deploy the military against “the enemy within”, domestic opponents he claims are worse than foreign adversaries – those Hitler called “Feind des Volkes”, or “enemy of the people”. Trump has threatened to destroy CBS, ABC and the New York Times. About ABC, after it conducted the debate in which he performed disastrously, he called to “take away their license”. After Kamala Harris’s 60 Minutes interview, having refused his own, he tweeted on 10 October: “TAKE AWAY THE CBS LICENSE.” About the Times, he said on 9 October: “Wait until you see what I’m going to do with them.” He has singled out by name journalists for the Times and the New Yorker as “FAKE OBAMA LOVING ‘JOURNALISTS”. At every rally he denounces the “fake news”, a drumbeat for years, echoing Hitler’s pejorative slur, “die Lügenpresse” – “the lying press”.
Trump traveled on 11 October to Aurora, Colorado, where he claimed a Venezuelan gang had seized control, “scum” and “animals” who have “invaded and conquered” and “infected” the town, a description dismissed as false by its Republican mayor. “We have to clean out our country,” said Trump. His language represented the Nazi idea of “Rassenhygiene” – “race cleansing” that required purification, not an academic interest in genetics but a program of eugenics for designating inferior races to be isolated or eliminated.
As Hitler wrote in Mein Kampf, “A people that fails to preserve the purity of its racial blood thereby destroys the unity of the soul of the nation in all its manifestations. A disintegrated national character is the inevitable consequence of a process of disintegration in the blood.”
The former chairman of the joint chiefs of staff, retired general Mark Milley, according to Bob Woodward in his new book War, told the veteran journalist: “No one has ever been as dangerous to this country as Donald Trump. Now I realize he’s a total fascist. He is the most dangerous person to this country.” Trump had stated that for Milley’s communication with his counterparts in China on January 6 to reassure them that the US military was stable, he deserved “DEATH” – to be executed.
On 14 October, retired general Mike Flynn – Trump’s former national security adviser, whom he pardoned for failing to register as a foreign agent and obstructing justice – was asked at a Christian nationalist rally for Trump whether he would preside over military tribunals in a second Trump term to “not only drain the swamp, but imprison the swamp, and on a few occasions, execute the swamp”. “Believe me,” Flynn replied, “the gates of hell – my hell – will be unleashed.”
Trump has been inevitably drawn to the Garden, in the city that made and unmade him. He is irreversibly entrapped in his endless neurotic syndrome of desperately seeking approval there that he constantly repels and success he inexorably undermines, a cycle of failure, rejection and humiliation. He wants New York to love him unreservedly, but his relationship with the city has been one long unrequited romance. His true love affair has always and only been with himself. When he does not receive the adoration he feels he deserves, he hates New York. Then, he tries to win its love again by performing a disgusting act, which, when he is predictably rejected, triggers his anger once again. And, then, he engages in gestures of infantile defiance, like holding a Nazi-esque rally. Trying to show himself triumphant over the city, he invites its scorn once again, and again, and again. He never comprehends that he is the cause of his continuing narcissistic injuries.
Trump’s rally, through the rhyme of history, will be a rebuke to the greatest campaign speech delivered by Franklin D Roosevelt, which, though given 88 years ago in the Garden on 31 October 1936, rings remarkably contemporary, a speech for “the restoration of American democracy” and its “preservation”.
“We have not come this far without a struggle and I assure you we cannot go further without a struggle,” FDR said. “We know now that government by organized money is just as dangerous as government by organized mob. Never before in all our history have these forces been so united against one candidate as they stand today. They are unanimous in their hate for me – and I welcome their hatred.”
Three years after FDR spoke at the Garden, another rally was held there, on 20 February 1939, under the sponsorship of the German American Bund, raising the slogan of “America First”, to advance the great replacement theory that Jews and other “inferior races” were displacing white Aryans.
The Nazis claimed the mantle of true Americanism and Christian nationalism. Swastikas framed a gigantic portrait of George Washington as the backdrop to the stage. From the balcony hung a banner: “Stop Jewish Domination of Christian America.” “Wake up!” shouted the Führer of the Bund, Fritz Kuhn, “you, Aryan, Nordic and Christians, to demand that our government be returned to the people who founded it!”
Gerhard Wilhelm Kunze, the Bund’s public relations director, declared that white supremacy was the essential basis of the nation. “The spirit which opened the west and built our country is the spirit of the militant white man,” he said, citing racial segregation and immigration quotas as its bulwarks. “It has then always been very much American to protect the Aryan character of this nation.”
In 2019, a seven-minute documentary about the Nazi rally of 1939, A Night at the Garden, was nominated for an Academy Award. To promote it, a 30-second TV ad was produced with the tagline: “It Can Happen Here.” The line was a reference to Sinclair Lewis’s 1935 novel, It Can’t Happen Here, about a populist demagogue defeating FDR and imposing a fascist regime. Lewis’s wife, the famous journalist Dorothy Thompson, a columnist for the New York Herald Tribune, who had reported on the rise of Hitler, pointedly attended the Nazi rally. “I saw an exact duplicate of it in the Berlin Sports Palast in 1931,” she wrote.
When the film distributor of A Night at the Garden sought to buy time for a spot on Fox News, its CEO, Suzanne Scott, rejected it as “not appropriate for our air”. After the 2020 election, during Trump’s ramping up to the January 6 insurrection, she ordered that Fox News suppress fact-checking his lies because it was “bad for business.”
Now, in his announcement of his night at the Garden, Trump advertised a clipped version of the replacement theory, declaring that New York was “reeling” from Kamala’s reckless open-border policies, “flooding” the city with criminal “illegal migrants.” For nearly a $1m contribution to attend the event, the top-tier donors are promised an “Ultra MAGA Experience,” details to follow.
Trump’s Maga rally will be the first time since the 1939 Nazi rally that the same themes of the replacement theory will echo in the Garden. But his closing argument is more than Nazi cosplay. He cannot help but reveal his deepest desire to be loved and then to fling the middle finger to the city whose unconditional admiration he has sought since he first crossed the Queensboro Bridge.
Trump’s permanent physical move to Palm Beach after his failed coup in 2020 has not transformed him into a contented Florida Man. To the inveterate New Yorker, the Sunshine State is strictly for snowbirds, God’s waiting room for shuffleboarders. Mar-a-Lago, his winter escape, has become his unnatural embittering palace-in-exile. Florida represents disgrace to Trump.
Trump’s emotional journey back to the White House must travel through New York. He has nothing but contempt and indifference for Washington. He despises policy, flaunts his ignorance and detests anyone who has ever tried to temper him, from four-star generals to Republican congressional leaders. He wants the pomp without the circumstance. January 6 played out Trump’s true view of the capital.
Trump plots his night at the Garden as the climax of his comeback tour. He may have been president, but never top of the heap. Roy Cohn could tell him how to skirt the law and ingratiate himself with the mob, but Cohn was not a Virgil to guide his protege to respectability. Trump’s lowlife publicity antics, tutored by Cohn, made him into one of the revolving cast of characters populating tabloid trash. The larger the headline of the sordid story about himself, the bigger Trump’s delusion that kitsch burnished his class. He was always crestfallen when his frolics did not win his admission into the club.
Trump has only been truly comfortable strutting in his old New York, conning and threatening, greasing the palms of the mafia, stiffing his contractors and workers, while trying to buy his way into society affairs. Time and again, the city spat him out. He was ridiculed and reviled. He went bust six times. He defaulted on the Trump Shuttle. The banks denied him loans. He had to sell his yacht named for his daughter, The Princess. His brutish father, who financed his wild ventures, throwing good money after bad, had to buy chips illegally to momentarily float his sinking Atlantic City casino. He dumped two wives. He allegedly sexually assaulted dozens of women. When he tried to lowball Frank Sinatra, an idol, Ol’ Blue Eyes told him, “Go fuck yourself.”
After Trump had plunged in what seemed to be his final bankruptcy, he was rescued by a TV producer, Mark Burnett, who created the reality TV show The Apprentice, which depicted Trump as a business genius reigning over the Manhattan skyline. The sheer fiction was the veneer that enabled his grubby lucrative product placement side deals. His motive for running for president was a branding scam gone haywire.
Now, he has returned to the city on his road to redemption. Yet, so far, he has been held accountable for his vast crimes only in New York. He has been found liable for defamation and sexual assault and termed an adjudicated rapist by the judge in the E Jean Carroll case, and ordered to pay $83.3m in damages plus continuing interest; found liable of widespread financial fraud and ordered to pay $364m for ill-gotten gains plus continuing interest; and convicted of 34 felony counts of financial fraud for hush-money payments, to a porn star and Playboy model with whom he had affairs, in order to affect the outcome of the 2016 election.
Once again, he intends to prove himself in the city that never sleeps, the city that will give him another shot at murdering someone on Fifth Avenue and getting away with it. A star is reborn.
These little town blues are melting away
I’m gonna make a brand-new start of it in old New York
And if I can make it there, I’m gonna make it anywhere
It’s up to you, New York, New York
Trump now says that if he loses, he will blame the unappreciative Jews – he hasn’t been “treated right” by the Jews, and their support for Democrats is a “curse”. But Trump, who has picked up a few Yiddish words, uses them unconsciously like a native New Yorker. On 2 January 2021, he displayed his proficiency in his notorious telephone call with the Georgia Secretary of State, Brad Raffensperger, in which he sought to intimidate him into committing election fraud to switch the state’s voting results.
“So look,” said Trump. “All I want to do is this. I just want to find 11,780 votes, which is one more than we have.”
Raffensperger resisted Trump’s strong-arming, the Georgia outcome stood, and four days later, Trump incited the assault on the Capitol in a last-ditch effort to thwart the certification of the election: “Hang Mike Pence!” Trump has since been indicted in Georgia for election fraud, a case in legal purgatory until after the 2024 election.
Twice, during his call with Raffensperger, Trump derided the Republican governor, Brian Kemp, who refused to be complicit in Trump’s scheme, by calling him a “schmuck.” Perhaps the word was lost on Trump’s listeners. According to Leo Rosten’s The Joy of Yiddish, it carries several meanings, including “penis” and “a dope, a jerk, a boob, a clumsy bumbling fellow.” Rosten wrote that “few impolite words express comparable contempt.”
Now, New Yorkers can only wonder, what kind of schmuck holds a Nazi-esque rally in Madison Square Garden?
Sidney Blumenthal, former senior adviser to Bill and Hillary Clinton, has published three books of a projected five-volume political life of Abraham Lincoln: A Self-Made Man, Wrestling With His Angel and All the Powers of Earth. He is a Guardian US columnist.